RECORDS

Work that continues RAMÉ’s Dawless sound, instrumentation and creation flow. Experimental techno electronics, created with modular synthesizers, Elektron and Moog machines.

Experimental techno electronics, created with modular synthesizers, Elektron and Moog machines. All songs produced, mixed and recorded live, without post-production, following Dawless techniques

Dark-Ambient work, created with entirely modular synthesizers, creating atmospheres designed for subways, apocalyptic video game environments and even Scifi movies.

Three-song EP designed and produced by Pablo Malatesta (aka Romboid), 2 of them being electronic reconstructions of two Santoral songs, and the third a song created jointly between the duo and the producer.

Single fruit of the collaboration between the singer Miriam Bronski on vocals and lyrics, and Romboid on electronic production.

MANIFEST includes a few weeks of composition and recording where one of the paths to follow on a creative level begins, using our own percussion samples, combined with ‘hit’ and ‘noise’ samples from modular and classic analog synthesizers, with synth sequencing. The songs are recorded in live shots, after a lot of preparation, production and rehearsal work.

The song ‘Manifest’, as its name indicates, shows the way forward on this path, where ‘Kampai’ and ‘Wish’ develop the methodology, instrumentation and sound. ‘Ogi’ expands the album’s sound palette with denser tracks and a slower tempo.

ARENA is a work with IDM, breakbeat and dark-electro overtones and combines sounds of classic synthesizers and drum machines with dense sequencing and atmospheres. From the Glitch overtones of ‘Arena’ the title track, to the epic atmosphere of ‘Resilience Anthem’. passing through the progressive slow techno of ‘Blitzliebe’. ‘Infinity and Beyond’ is a personal song, optimistic and nostalgic at the same time, the result of the album’s writing sessions.